Sunday, 27 November 2016

Who wrote the Gita?

There is a painting in Angkor Vat depicting ShrI Vyasadeva seen dictating the epic Mahabharat to his scribe Ganapati, The common belief is that Sri Krishna dvaipayana Vyasa deva dictated the Mahabharata to his scribe Ganadhipati who wrote it down with one of his broken tooth (ekadanta). But actually, both Krishna dvaipayana and Ganapati are one only. The seer and the seen are one. The perceiver and the perceived are one.kavinaam kavih Ganapti wrote this text on the tablet of our heart and only we have to open to see it! So, where is the  Gita? It is within us since the Veda says, Atmaivedgm sarvam | At,ma knows all !
The Prayer to Lord of the Elements (our physical body) Ganapati is:

   गणानाम् त्वा गणपतिम् हवामहे कविम् कवीनाम् उपमश्रवस्तमम्।
 ज्येष्टराजम् ब्रह्मणाम् ब्रह्मणस्पत ऊतिभिः सीद सादनम्॥ (रुग्वेद . २३. )

  Om | gaNAnAM tvA gaNapatiM havAmahe kavim kavInAm upamashravastamam |  
   jyeShTarAjaM brahmaNAm brahmaNaspatAnaH UtiBiH sIdasAdanam ||
                                                                                       (Rk Veda 2. 23. 1).
    The BagavadgItA is supposed to be an episode- bhIShma parva, in the great epic mahAbhArata written(?) by Lord gaNeSa (gaNa adhipati, Isa) as dictated by Sage vedavyAsa on the advice of nArada. Sages are jnani who do not speak! This is the prevailing knowledge among the common people. But, it may be clarified here the fact that there is no nArada, vedavyAsa or a gaNapati or the mahAbhArata unless we create one for our convenience. Let’s realize the fact that there are no literary evidences or proof for all the ‘God-spoken Words’ although some such pramaNa, proof, or sources quoted, etc. are available; this proof according to the vaiShNava saMpradAya is also provided here for reference. In fact, everything that we find today as ancient scriptures is that which is written by somebody; and, God’s words are shrutivAkya, the ‘heard voice, and not the written documents. In fact, everything is human’s intelligence and creative power only expressed by some divine attained souls. It should also be remembered that these are highly abstract, inexplicable, and somehow find expression in the extraordinary attained persons. Even the persons as physical entities are not important here; it is their intelligence, spiritual attainment, level of Consciousness that is important. So when we say, a bhrugumuni, or a narada and vishvamitra, it only means the height of their spiritual attainment and not the persons. Normally, these Sages have left behind all their prefixes, affixes, and appendages of family, tradition, names, forms and functions. They are in a state of brahm when they attain their highest! It is only at this level that a sadhaka can understand what they spell out in exalted state of pure Consciousness. Not all can understand the words of bhagavan unless he/she tries to attain this state like sages and saints such as aruNi uddalaka, yajnyAvalkya, or maitrayaNi.
    Thus, the phrases- ‘Thus spake the Lord’ (bhagavan uvaca) or ‘God-spoken word’ mean revealed or intutional knowledge’, may be, revelations getting from the inner ‘Self’. It is our intelligence, creative genius for which there is a ‘divine source’. But for this divine origin there is no explanation for our existence here. We are on a chosen planet where life is a form of vibrant Energy, derived from the electromagnetic wavicles derived from the Sun. Everything here is Energy, Waves and Vibration. Our thoughts, ideas, imagination create a world of varied and diverse objects which have no substantial existence of their own. The tanmatra of Agni is rupam. Thus, ‘Forms are created by the vibrant Energy’. Everything is a passing phase of our own experience due to our focused attention. If we do not look at anything with intent, ineterst, that thing simply does not exist. All our friends, wife and children, homes are our own creation- a creation of a thought-particle of our Mind! Unless one says ‘yes’- a product of our Mind, there will be no further creation! These are given a valid, rational explanation in the veda, upanishat, brahmasutra, and the gItA.
     Let’s remember the fact that “not only the Planet Earth, but the humans on it, as well, are an insignificant miniscule, vibrant energy, sub-atomic particle, in the Galaxy”. As a jiva, human existence on earth is so short as compared to the eons or yugas that pass by, as that of the time taken by a wink (nemiSha) of the Lord. Within a short time span of a few decades of a person’s life, what can be understood, experienced or realized is open to question. Moreover, everything that man knows is only through a second-hand source, of course with an exception that some are revelations of a few divine souls!  
    Thus, what we see and understand here is open to question! As regards, the author of the gItA, the versatile genius vEda vyAsa dictating, and his scribe gaNapati taking down the notes, that too, with a broken tusk, it may be said, nothing is so stupid for a rational and scientific inquisitive mind than a flower blooming in the sky (gagana kusuma) or a fish with a strong horn!. But, it is everything- a fantasy, an imaginative story, a celestial song, a sermon, or a beautiful fiction for a curious and inquisitive mind full of innocence,” What is said about gaNapati cannot be simply dismissed as just a mythologic story for children. There is a lot of secret spiritual power hidden in it. There is a ‘vANcCA kalpalata SrIvidya gaNapati’ clad in a saree shown as the ‘Deity of SrIvidyA’, and a mahAmaMtra is also attached to it. It is a serious tantropAsana scripture retrieved from yajurveda recently discovered and published by Sri Amritananda (H.S.Thyagaraj) at the Trayinyas SrIvidya Foundation in Mysore. It reveals these secrets. A serious upasaka has to take to upasana of this Deity and experience that divine power. All that one desires will be fulfilled and this includes Atmajnyan and salvation, moksha..
   Mythologically speaking, Lord gaNesh is the creation of devi pArvati, the product of a brain-wave- that a human form is created out of clay and prANa is infused into it. As the story goes, Siva’s consort devi pArvati in kailAs made an earthen doll, infused life into it, and asked it to guard the place with strict instruction not to allow anybody inside. Siva came and saw that his entrance is blocked. He got angry, fight ensued since gaNesh refused to allow Siva inside, and finally the guard gaNeSa was beheaded by the furious Lord. Thus, the guard lost his head. Later, pArvati told Siva all about gaNeSa and wanted that gaNesh be revived; thus, servants were sent to fetch the head of anybody sleeping with head northward so that it can be transplanted. Only a baby elephant was sleeping that way and it was beheaded and its head was brought and transplanted! Thus, the head of an elephant came to gaNesh, the ‘Deity of the Gana’ of the Earth. Lord gaNapati is muladhara adhipati, pure Consciousness at the basal plexus,  In fact, most of the gods and goddesses are depicted in the epics as features with heads of animals and birds! It may be symbolic, or may be, it is the state of evolution where such and such specie of an animal or bird, or even plants, have reached their highest level of Consciousness.
    Now, as the story continues, gaNesh lost one of his tusks either in a fight with Nandi, the official carrier of Shiva or, may be, gaNesha himself cut it and threw at the Moon laughing at his unique form of appearance riding a rat! Also, may be, the pen failed while writing the epic mahAbhArat and he cut his tusk to continue his writing. Thus, all these are childish speculations, but not without substance. As already stated, the spiritual scriptures including the veda, SrIvidyA, bhagavad-gItA are full of symbols, imageries, code words and full of estoric meaning that cannot be easily deciphered except in a transcendental state attained with the help of practice of yoga  (yogasadhana).
   But, it may be aked, “What about the status of the gItA amongst the various spiritual Texts?” At the outset, the Bagavad-gItA believed tobe taken out from the great epic, as an episode of Bhishma Parva by Sri Shankaracharya is not actually a part of the epic mahAbhArata. It is just interpolated by vedavyas when he was finding short of topic to dictate to Ganesha (gaNeSa). Actualllas these are ‘divine words’- the ‘Words of God’; first, BagavAn shrI Shree Krishna revealed this Atmadnyan as the ‘gItopadeSa’ to the sureya, the first self-effulgent manu, vivasvAn, the Father of Mankind, Aditya, and the same Gitopadesha was imparted to all the subsequent svayaMbhu manu- the first manifest form of Mahavishnu,  Father of Man, the ‘man’ (Mind), citta, or AkAsha- that which holds everything as the Space, sky. The Mind and Akash are same and AkAsha is called ‘KaM brahma’, the immeasurable vast and deep non-entity that holds all!
    Thus, the gItA emerged in the form of ‘divine thoughts’ or secret of the secrets (guhyatama guhya) imparted by the ‘Lord of the Luminous Mind’ at the beginning of each cycle of creation and dissolution- a cosmic drama. It has come down to us (as an unwritten word of breath of Lord Siva, Shree Krishna, or apourusheya, emerging within us) as a spiritual heritage!
   The celebrated author of the sacred Text is stated to be Shree Krishna dvaipAyana. He is the supreme Lord, the omniscient SrI hari nArAyaNa, also called acyuta bAadarAyaNa. He is also known as ‘vedavvyAsa. munInamyapahaM vyasaH | [10. 37]. He is the Self and sits in the cavity of the heart as antaryamin. He is seen here with the Lord of the universe, gaNapati- the Deity of Muladhara who dwells in the basal plexus of Consciousness. The Rkveda saMhita is actually a soliloquy, a monologue. It is, as if, a dialogue between pure Consciousness and the vibrating Mind, its moods and attitudes. May be, gaNapati,* as an elemental god, is a myth indicating the transient nature of existence. That way, the most Revered Omniscient Sage vedavyAsa**, the renown author of the brahmasutra and all the puraNa- shruti and smruti, is none other than SrIman nArAyaNa, the parabrahmn from whom the sovereign Consciousness radiates as an eternal flow of “sat-cit-anand”.
   The Rkveda saMhita locates Ganapatim at the mulAdhAra, the basal plexus of Consciousness and it is He, the gaNapati who writes the Rks with his tusk (danta) in our heart. He is the Revered Deity of our ‘Basal Plexus’ (mulAdhAra-pradnya) and it is He, who wards off all evil and keeps us safe and secure with all our senses.

   Hence, it cannot be said to be the notions of an intelligent brain working on the search for ‘sat’, the ‘essential nature’ of human existence. This power of Creation, the Intelligence is Shree Krishna (See vibhuti yoga). The Rishis have had this darshan and revealed this Truth. However, it may be also said that ‘everything is born out of Mind (the manas)’ and, thus a product of wild imagination, thoughts, ideas, and forms. Although the gItA says, the Rishis like nArada, devala, asita, and vyAsa are the manifest forms of brahma, actually, there are no such things as vedavyAsa, gaNapati, or Shree Krishna here! Everything is brahmn only. sarvaM KhaluvidaM brahma and ‘brahmn’ is the central idea and the goal of the teachings of the gItA is to attain to IT. The gItA is narrated by the inner voice attributed to ‘pure consciousness’ -Shree Krishna. It is an intellectually and intuitionally revealed Knowledge, druShTa, that emanates from within.  

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